Versipellis (2018), performance at Triangle Marseille 2018.
Bianca Baldi (South Africa, 1985) lives and works in Brussels.
In her work she deals with the role of narrative as a means of knowledge production in both fictional and historical contexts. She is interested in the staging of identity and history and looks at these themes in photography, film, writing and publishing, which she often combines in the exhibition format as installations.
Her work has been featured in exhibitions such as:
Selected Solo shows
Selected Group shows
© 2021—2026. All rights reserved.
Design & Development: d-e-a-l.eu
Cameo (2021). View from Grazer Kunstverein, Graz, 16 April – 13 June 2021. Photo: The Schubidu Quartet
Bianca Baldi (South Africa, 1985) lives and works in Brussels.
In her work she deals with the role of narrative as a means of knowledge production in both fictional and historical contexts. She is interested in the staging of identity and history and looks at these themes in photography, film, writing and publishing, which she often combines in the exhibition format as installations.
Her work has been featured in exhibitions such as:
Selected Solo shows
Selected Group shows
© 2021—2026. All rights reserved.
Design & Development: d-e-a-l.eu
Zero Latitude (2014), view from the exhibition Entends-tu ce que je vois? Do you See What I hear? Presented at Dazibao, Montreal from 29 March—2 June 2018. Photo: Marilou Crispin.
Bianca Baldi (South Africa, 1985) lives and works in Brussels.
In her work she deals with the role of narrative as a means of knowledge production in both fictional and historical contexts. She is interested in the staging of identity and history and looks at these themes in photography, film, writing and publishing, which she often combines in the exhibition format as installations.
Her work has been featured in exhibitions such as:
Selected Solo shows
Selected Group shows
© 2021—2026. All rights reserved.
Design & Development: d-e-a-l.eu
Play-White (2019). Video, colour, stereo, 10:45’’
Bianca Baldi (South Africa, 1985) lives and works in Brussels.
In her work she deals with the role of narrative as a means of knowledge production in both fictional and historical contexts. She is interested in the staging of identity and history and looks at these themes in photography, film, writing and publishing, which she often combines in the exhibition format as installations.
Her work has been featured in exhibitions such as:
Selected Solo shows
Selected Group shows
© 2021—2026. All rights reserved.
Design & Development: d-e-a-l.eu
Insufflate (2016). Dalmation jasper, copper and tengu paper 1.6 g/m². Dimensions variable. Photo: Michael Pfisterer.
Bianca Baldi (South Africa, 1985) lives and works in Brussels.
In her work she deals with the role of narrative as a means of knowledge production in both fictional and historical contexts. She is interested in the staging of identity and history and looks at these themes in photography, film, writing and publishing, which she often combines in the exhibition format as installations.
Her work has been featured in exhibitions such as:
Selected Solo shows
Selected Group shows
© 2021—2026. All rights reserved.
Design & Development: d-e-a-l.eu
Country Matters (2016), screenprint on primed board (diptych). 90 x 129 cm. Photo: Yana Lozeva.
Bianca Baldi (South Africa, 1985) lives and works in Brussels.
In her work she deals with the role of narrative as a means of knowledge production in both fictional and historical contexts. She is interested in the staging of identity and history and looks at these themes in photography, film, writing and publishing, which she often combines in the exhibition format as installations.
Her work has been featured in exhibitions such as:
Selected Solo shows
Selected Group shows
© 2021—2026. All rights reserved.
Design & Development: d-e-a-l.eu