Versipellis (2018), performance at Triangle Marseille 2018.
Bianca Baldi (b. South Africa) lives and works in Brussels.
Her work explores how knowledge is produced and how it can be disrupted. She approaches narrative not as representation, but as a system that shapes what can be known, seen, and believed.
Working across film, image-making, writing, and installation, she examines how identity and history are constructed through these frameworks, and how they can be reworked through material and visual processes.
Her practice engages epistemic disobedience: questioning the authority of classification, archives, and fixed narratives, and opening space for other ways of knowing and sensing the world.
Her work has been featured in exhibitions such as:
Selected Solo shows
Selected Group shows
© 2021—2026. All rights reserved.
Design & Development: d-e-a-l.eu
The River (2014), collage (framed), 50 x 39.5 cm.
Bianca Baldi (b. South Africa) lives and works in Brussels.
Her work explores how knowledge is produced and how it can be disrupted. She approaches narrative not as representation, but as a system that shapes what can be known, seen, and believed.
Working across film, image-making, writing, and installation, she examines how identity and history are constructed through these frameworks, and how they can be reworked through material and visual processes.
Her practice engages epistemic disobedience: questioning the authority of classification, archives, and fixed narratives, and opening space for other ways of knowing and sensing the world.
Her work has been featured in exhibitions such as:
Selected Solo shows
Selected Group shows
© 2021—2026. All rights reserved.
Design & Development: d-e-a-l.eu
Panthère Naturalisée (2014), 100 x 150 cm, Inkjet on Baryta Paper 325 g/m².
Bianca Baldi (b. South Africa) lives and works in Brussels.
Her work explores how knowledge is produced and how it can be disrupted. She approaches narrative not as representation, but as a system that shapes what can be known, seen, and believed.
Working across film, image-making, writing, and installation, she examines how identity and history are constructed through these frameworks, and how they can be reworked through material and visual processes.
Her practice engages epistemic disobedience: questioning the authority of classification, archives, and fixed narratives, and opening space for other ways of knowing and sensing the world.
Her work has been featured in exhibitions such as:
Selected Solo shows
Selected Group shows
© 2021—2026. All rights reserved.
Design & Development: d-e-a-l.eu
Classic Scent (2018). Silver Gelatin Print mounted on Alu-dibond, 100 x 82 cm.
Bianca Baldi (b. South Africa) lives and works in Brussels.
Her work explores how knowledge is produced and how it can be disrupted. She approaches narrative not as representation, but as a system that shapes what can be known, seen, and believed.
Working across film, image-making, writing, and installation, she examines how identity and history are constructed through these frameworks, and how they can be reworked through material and visual processes.
Her practice engages epistemic disobedience: questioning the authority of classification, archives, and fixed narratives, and opening space for other ways of knowing and sensing the world.
Her work has been featured in exhibitions such as:
Selected Solo shows
Selected Group shows
© 2021—2026. All rights reserved.
Design & Development: d-e-a-l.eu
Insufflate (2016). Dalmation jasper, copper and tengu paper 1.6 g/m². Dimensions variable. Photo: Michael Pfisterer.
Bianca Baldi (b. South Africa) lives and works in Brussels.
Her work explores how knowledge is produced and how it can be disrupted. She approaches narrative not as representation, but as a system that shapes what can be known, seen, and believed.
Working across film, image-making, writing, and installation, she examines how identity and history are constructed through these frameworks, and how they can be reworked through material and visual processes.
Her practice engages epistemic disobedience: questioning the authority of classification, archives, and fixed narratives, and opening space for other ways of knowing and sensing the world.
Her work has been featured in exhibitions such as:
Selected Solo shows
Selected Group shows
© 2021—2026. All rights reserved.
Design & Development: d-e-a-l.eu
Cameo (2021). View from Grazer Kunstverein, Graz, 16 April – 13 June 2021. Photo: The Schubidu Quartet
Bianca Baldi (b. South Africa) lives and works in Brussels.
Her work explores how knowledge is produced and how it can be disrupted. She approaches narrative not as representation, but as a system that shapes what can be known, seen, and believed.
Working across film, image-making, writing, and installation, she examines how identity and history are constructed through these frameworks, and how they can be reworked through material and visual processes.
Her practice engages epistemic disobedience: questioning the authority of classification, archives, and fixed narratives, and opening space for other ways of knowing and sensing the world.
Her work has been featured in exhibitions such as:
Selected Solo shows
Selected Group shows
© 2021—2026. All rights reserved.
Design & Development: d-e-a-l.eu