Livro de Todo o Universo (Chopped and Screwed). Performance by Cecilia Eliceche at the corrector’s room of the Plantin-Moretus Museum, Antwerp (2015) Sound Design:Christophe Albertijn.
Bianca Baldi (b. South Africa) lives and works in Brussels.
Her work explores how knowledge is produced and how it can be disrupted. She approaches narrative not as representation, but as a system that shapes what can be known, seen, and believed.
Working across film, image-making, writing, and installation, she examines how identity and history are constructed through these frameworks, and how they can be reworked through material and visual processes.
Her practice engages epistemic disobedience: questioning the authority of classification, archives, and fixed narratives, and opening space for other ways of knowing and sensing the world.
Her work has been featured in exhibitions such as:
Selected Solo shows
Selected Group shows
© 2021—2026. All rights reserved.
Design & Development: d-e-a-l.eu
Fun Capital (2012). Video, colour, stereo, 5:30’’
Bianca Baldi (b. South Africa) lives and works in Brussels.
Her work explores how knowledge is produced and how it can be disrupted. She approaches narrative not as representation, but as a system that shapes what can be known, seen, and believed.
Working across film, image-making, writing, and installation, she examines how identity and history are constructed through these frameworks, and how they can be reworked through material and visual processes.
Her practice engages epistemic disobedience: questioning the authority of classification, archives, and fixed narratives, and opening space for other ways of knowing and sensing the world.
Her work has been featured in exhibitions such as:
Selected Solo shows
Selected Group shows
© 2021—2026. All rights reserved.
Design & Development: d-e-a-l.eu
Cameo (2021). View from Grazer Kunstverein, Graz, 16 April – 13 June 2021. Photo: The Schubidu Quartet
Bianca Baldi (b. South Africa) lives and works in Brussels.
Her work explores how knowledge is produced and how it can be disrupted. She approaches narrative not as representation, but as a system that shapes what can be known, seen, and believed.
Working across film, image-making, writing, and installation, she examines how identity and history are constructed through these frameworks, and how they can be reworked through material and visual processes.
Her practice engages epistemic disobedience: questioning the authority of classification, archives, and fixed narratives, and opening space for other ways of knowing and sensing the world.
Her work has been featured in exhibitions such as:
Selected Solo shows
Selected Group shows
© 2021—2026. All rights reserved.
Design & Development: d-e-a-l.eu
Sicomoro Centenario (2023),Lithographic stone, lithographic print and wood specimens from the Museo delle Civilta collection.
Bianca Baldi (b. South Africa) lives and works in Brussels.
Her work explores how knowledge is produced and how it can be disrupted. She approaches narrative not as representation, but as a system that shapes what can be known, seen, and believed.
Working across film, image-making, writing, and installation, she examines how identity and history are constructed through these frameworks, and how they can be reworked through material and visual processes.
Her practice engages epistemic disobedience: questioning the authority of classification, archives, and fixed narratives, and opening space for other ways of knowing and sensing the world.
Her work has been featured in exhibitions such as:
Selected Solo shows
Selected Group shows
© 2021—2026. All rights reserved.
Design & Development: d-e-a-l.eu