Livro de Todo o Universo (2015). Two-channel video installation, HD Video from 4K, colour, sound, 04:00 (looped). View from exhibition Pure Breaths at Swimming Pool, Sofia. Photo: Yana Lozeva.
Bianca Baldi (b. South Africa) lives and works in Brussels.
Her work explores how knowledge is produced and how it can be disrupted. She approaches narrative not as representation, but as a system that shapes what can be known, seen, and believed.
Working across film, image-making, writing, and installation, she examines how identity and history are constructed through these frameworks, and how they can be reworked through material and visual processes.
Her practice engages epistemic disobedience: questioning the authority of classification, archives, and fixed narratives, and opening space for other ways of knowing and sensing the world.
Her work has been featured in exhibitions such as:
Selected Solo shows
Selected Group shows
© 2021—2026. All rights reserved.
Design & Development: d-e-a-l.eu
Act 1: Aerolithe Illusion (2013) by Bureau de Cinéma Africain (ABC). Two Channel HD video, colour, silent, 05:00’’ and digitized b/w 35mm still frames, HD Video, b/w, silent, 04:58’’
Bianca Baldi (b. South Africa) lives and works in Brussels.
Her work explores how knowledge is produced and how it can be disrupted. She approaches narrative not as representation, but as a system that shapes what can be known, seen, and believed.
Working across film, image-making, writing, and installation, she examines how identity and history are constructed through these frameworks, and how they can be reworked through material and visual processes.
Her practice engages epistemic disobedience: questioning the authority of classification, archives, and fixed narratives, and opening space for other ways of knowing and sensing the world.
Her work has been featured in exhibitions such as:
Selected Solo shows
Selected Group shows
© 2021—2026. All rights reserved.
Design & Development: d-e-a-l.eu
Zero Latitude (2014). View from exhibition Die Zelle at Kunsthalle Bern, 2018. Photo: Gunnar Meier.
Bianca Baldi (b. South Africa) lives and works in Brussels.
Her work explores how knowledge is produced and how it can be disrupted. She approaches narrative not as representation, but as a system that shapes what can be known, seen, and believed.
Working across film, image-making, writing, and installation, she examines how identity and history are constructed through these frameworks, and how they can be reworked through material and visual processes.
Her practice engages epistemic disobedience: questioning the authority of classification, archives, and fixed narratives, and opening space for other ways of knowing and sensing the world.
Her work has been featured in exhibitions such as:
Selected Solo shows
Selected Group shows
© 2021—2026. All rights reserved.
Design & Development: d-e-a-l.eu
The River (2014), collage (framed), 50 x 39.5 cm.
Bianca Baldi (b. South Africa) lives and works in Brussels.
Her work explores how knowledge is produced and how it can be disrupted. She approaches narrative not as representation, but as a system that shapes what can be known, seen, and believed.
Working across film, image-making, writing, and installation, she examines how identity and history are constructed through these frameworks, and how they can be reworked through material and visual processes.
Her practice engages epistemic disobedience: questioning the authority of classification, archives, and fixed narratives, and opening space for other ways of knowing and sensing the world.
Her work has been featured in exhibitions such as:
Selected Solo shows
Selected Group shows
© 2021—2026. All rights reserved.
Design & Development: d-e-a-l.eu