Zero Latitude (2014). View from exhibition Die Zelle at Kunsthalle Bern, 2018. Photo: Gunnar Meier.
Bianca Baldi (South Africa, 1985) lives and works in Brussels.
In her work she deals with the role of narrative as a means of knowledge production in both fictional and historical contexts. She is interested in the staging of identity and history and looks at these themes in photography, film, writing and publishing, which she often combines in the exhibition format as installations.
Her work has been featured in exhibitions such as:
Selected Solo shows
Selected Group shows
© 2021—2024. All rights reserved.
Design & Development: d-e-a-l.eu
Act 1: Aerolithe Illusion (2013) by Bureau de Cinéma Africain (ABC). Two Channel HD video, colour, silent, 05:00’’ and digitized b/w 35mm still frames, HD Video, b/w, silent, 04:58’’
Bianca Baldi (South Africa, 1985) lives and works in Brussels.
In her work she deals with the role of narrative as a means of knowledge production in both fictional and historical contexts. She is interested in the staging of identity and history and looks at these themes in photography, film, writing and publishing, which she often combines in the exhibition format as installations.
Her work has been featured in exhibitions such as:
Selected Solo shows
Selected Group shows
© 2021—2024. All rights reserved.
Design & Development: d-e-a-l.eu
Cameo (2021). View from Grazer Kunstverein, Graz, 16 April – 13 June 2021. Photo: The Schubidu Quartet
Bianca Baldi (South Africa, 1985) lives and works in Brussels.
In her work she deals with the role of narrative as a means of knowledge production in both fictional and historical contexts. She is interested in the staging of identity and history and looks at these themes in photography, film, writing and publishing, which she often combines in the exhibition format as installations.
Her work has been featured in exhibitions such as:
Selected Solo shows
Selected Group shows
© 2021—2024. All rights reserved.
Design & Development: d-e-a-l.eu
The Chorus i (2022), Hand Blown glass, dimensions variable
Bianca Baldi (South Africa, 1985) lives and works in Brussels.
In her work she deals with the role of narrative as a means of knowledge production in both fictional and historical contexts. She is interested in the staging of identity and history and looks at these themes in photography, film, writing and publishing, which she often combines in the exhibition format as installations.
Her work has been featured in exhibitions such as:
Selected Solo shows
Selected Group shows
© 2021—2024. All rights reserved.
Design & Development: d-e-a-l.eu
Panthère Naturalisée (2014), 100 x 150 cm, Inkjet on Baryta Paper 325 g/m².
Bianca Baldi (South Africa, 1985) lives and works in Brussels.
In her work she deals with the role of narrative as a means of knowledge production in both fictional and historical contexts. She is interested in the staging of identity and history and looks at these themes in photography, film, writing and publishing, which she often combines in the exhibition format as installations.
Her work has been featured in exhibitions such as:
Selected Solo shows
Selected Group shows
© 2021—2024. All rights reserved.
Design & Development: d-e-a-l.eu
Snake Weight (2016). Dalmation Jasper, Fabric. View from the exhibition Landis Museum at CCA Derry, 26 May—28 July 2018.
Bianca Baldi (South Africa, 1985) lives and works in Brussels.
In her work she deals with the role of narrative as a means of knowledge production in both fictional and historical contexts. She is interested in the staging of identity and history and looks at these themes in photography, film, writing and publishing, which she often combines in the exhibition format as installations.
Her work has been featured in exhibitions such as:
Selected Solo shows
Selected Group shows
© 2021—2024. All rights reserved.
Design & Development: d-e-a-l.eu