Fun Capital (2012). Video, colour, stereo, 5:30’’
Bianca Baldi (South Africa, 1985) lives and works in Brussels.
In her work she deals with the role of narrative as a means of knowledge production in both fictional and historical contexts. She is interested in the staging of identity and history and looks at these themes in photography, film, writing and publishing, which she often combines in the exhibition format as installations.
Her work has been featured in exhibitions such as:
Selected Solo shows
Selected Group shows
© 2021—2025. All rights reserved.
Design & Development: d-e-a-l.eu
Eyes in The Back of Your Head(2017). Video and steel construction, acrylic one-way mirror,monitor 142 x 82 x 82 cm. Photo: Michael Pfisterer.
Bianca Baldi (South Africa, 1985) lives and works in Brussels.
In her work she deals with the role of narrative as a means of knowledge production in both fictional and historical contexts. She is interested in the staging of identity and history and looks at these themes in photography, film, writing and publishing, which she often combines in the exhibition format as installations.
Her work has been featured in exhibitions such as:
Selected Solo shows
Selected Group shows
© 2021—2025. All rights reserved.
Design & Development: d-e-a-l.eu
De Brazza (2014). Mounted C-Prints in Wenge Frames 80 x 86 cm.
Bianca Baldi (South Africa, 1985) lives and works in Brussels.
In her work she deals with the role of narrative as a means of knowledge production in both fictional and historical contexts. She is interested in the staging of identity and history and looks at these themes in photography, film, writing and publishing, which she often combines in the exhibition format as installations.
Her work has been featured in exhibitions such as:
Selected Solo shows
Selected Group shows
© 2021—2025. All rights reserved.
Design & Development: d-e-a-l.eu
Insufflate (2016). Dalmation jasper, copper and tengu paper 1.6 g/m². Dimensions variable. Photo: Michael Pfisterer.
Bianca Baldi (South Africa, 1985) lives and works in Brussels.
In her work she deals with the role of narrative as a means of knowledge production in both fictional and historical contexts. She is interested in the staging of identity and history and looks at these themes in photography, film, writing and publishing, which she often combines in the exhibition format as installations.
Her work has been featured in exhibitions such as:
Selected Solo shows
Selected Group shows
© 2021—2025. All rights reserved.
Design & Development: d-e-a-l.eu
Install view of De Brazza (2014) with Kaiserpanorama in Grace Ndiritu Reimagines the FOMU Collection, FOMU, 17/02/23 – 25/02/24 © We Document Art
Bianca Baldi (South Africa, 1985) lives and works in Brussels.
In her work she deals with the role of narrative as a means of knowledge production in both fictional and historical contexts. She is interested in the staging of identity and history and looks at these themes in photography, film, writing and publishing, which she often combines in the exhibition format as installations.
Her work has been featured in exhibitions such as:
Selected Solo shows
Selected Group shows
© 2021—2025. All rights reserved.
Design & Development: d-e-a-l.eu
Skin Talk (2019). Silk, Silk Paint, 92 x 345 cm, Unframed and unmounted. View from the exhibition, Patina (2022), Photoforum Pasquart Biel/Bienne.
Bianca Baldi (South Africa, 1985) lives and works in Brussels.
In her work she deals with the role of narrative as a means of knowledge production in both fictional and historical contexts. She is interested in the staging of identity and history and looks at these themes in photography, film, writing and publishing, which she often combines in the exhibition format as installations.
Her work has been featured in exhibitions such as:
Selected Solo shows
Selected Group shows
© 2021—2025. All rights reserved.
Design & Development: d-e-a-l.eu